Damascus Steel Shirasaya Katana in Black Lacquer Saya with Gold Geometric Tsuba, Full Tang

The blade on this shirasaya katana is forged from pattern-folded damascus steel, revealing a layered grain along the flat and a visible hamon line tracing the edge. The chrome-polished finish brings out the contrast between the darker folded layers and the brighter edge bevel, making the steel itself a visual centerpiece. At 40.5 inches overall with a 1.26-inch blade width, the geometry stays true to classic katana proportions. Explore the full range in our Shirasaya Samurai Katana collection.

The tsuka follows the strict shirasaya format - no ito wrapping, no same, just clean hardwood shaped to the hand and finished in a textured black lacquer that matches the saya. The full tang runs the complete interior length, anchoring blade to handle without compromise. The result is a handle that is both visually minimal and structurally sound.

The tsuba is the single decorative interruption in an otherwise austere design, and it earns its place. Cast in a gold tone with an open geometric lattice cutout, the square guard draws the eye immediately at the transition between blade and tsuka. The collar fittings share the same gold tone, framing the tsuba cleanly against the black handle material.

The saya is built from hardwood and coated in a matte black lacquer with a slightly rough, speckled texture visible across the surface - consistent with a natural lacquer application rather than a synthetic coating. The finish absorbs light rather than reflecting it, reinforcing the low-profile aesthetic of the shirasaya form. The fit between blade and saya is close, with no rattle. Browse our Shirasaya collection for additional styles in this format.

At 2.91 lb and packaged in a 42 x 4 x 4 in box, this katana is sized and weighted for wall mounting or shelf display. The gold tsuba against the all-black body creates a clean, high-contrast presentation that holds attention without relying on ornate decoration. A focused piece for collectors drawn to the restraint of the shirasaya tradition.